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ITEMS
OF CLOTHING
THE
KIRTLE
THE SURCOTE
MATERNITY WEAR
THE MANTLE
THE CORSET
TIPPETS
UNDERWEAR
HEADWEAR
BELTS & GIRDLES
JEWELLERY
PURSES & BAGS
SHOES
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Shoes
and Footwear
LEATHER SHOES
- FABRIC SHOES - SLIPPERS
- SANDALS - WOODEN
PATTENS
Shoes were worn by all classes
of woman, even the very poor. Only the quality of the materials and fine
details varied. The purpose and basic design of the shoes remained the
same. Margherita Datini's wardrobe in 1339 lists among her footware, wooden
pattens with leather laces and one pair of backless leather slippers with
thick soles called pianelles. Her regular shoes are not mentioned.
Leather
shoes
Shoe styles changed a little over the medieval period but the general
shape and features remained more or less the same.
The fashionable shoe was made to fit the foot with an elongated piece
over the big toe side of the front. The
shoes were known in England as crackows and the shaped fronts poulains,
although many times the shoes are simply listed as poulains, particularly
by the French where it word indicated the country of the origin of the
style- Poland. This term also indicates they are the shoes with the pointed
toes. The Museum of London have excavated a large number of these shoes
and one has been recovered complete with the moss stuffing inside the
toes. It is assumed that this stuffing provided a certain amount of rigidness
to the shoe and helped the toe retain it's shape. The image at right shows
the shoe and it's stuffing.
There were two basic methods of shoe construction in the middle ages.
The first comprised a shoe which stitched it's upper directly onto the
sole with the stitching visible on the outside. The other, known as a
turned shoe is constructed inside out and then turned the right
way out after the sewing was completed. A further sole could be added,
but was not a necessity. In order to turn the shoe once the stitching
was completed, it was soaked in a bucket of water until it softened enough
to allow maneuvering. Care was needed not to stretch the shoe out of shape
or tear the leather. Once it was dry again, the leather returned to it's
original stiffness.
Many
medieval shoes have been excavated from the river in London. Most are
of similar shape- some with less pointy toes and others with decorative
embossing, cutwork or tooling on the uppers. Some of these can be seen
at left. In 1313, Anicia atte Hegge, a widow from Hampshire made a will
made on the surrendering of her holding to her son included the stipulation
that, among other things, would be provided with various items including
a pair of shoes worth 6d each year.
Leather shoes could be decorated with cut outs and decorative tooling
or stamping. Stamping was done after the leather had been soaked in hot
water to make it soft. Finds show several leather slippers with the same
identical Tristan and Isolde stamp showing that they were mass-produced
and not restricted to just the elite upper class.
There is no record that I have seen of women owning or wearing long boots
similar to those worn by men in the 14th century. Certainly townswomen
and noble ladies did not seem to. Ankle boots were possibly worn by country
women. In the 12th to 14th century, heavy shoes of undressed leather were
worn by English peasants. These were called revelins or riveling
or slops and were constructed of raw hide with the hair on the
outside.
For an in-depth look at medieval shoe construction, visit MARC
CARLESON'S MEDIEVAL SHOES WEBSITE which
is the most extensively researched and comprehensive I've seen. It includes
a look a shoe construction, methods of stitching and patterns from different
time periods.
Embroidered
Fabric Shoes
An existing sample of embroidered fabric ecclesiastical shoes shown at
right, is those belonging to the Holy Roman Emperor dated from approximately
the 1200s.
Although this sample is 200 years before the high medieval period, it
demonstrates the high level of skill utilized in the construction of the
shoe itself. The shoe appears lined and has a drawstring around the ankle.
The sides seem quite rigid and a separate sole is evident. Gold thread
embroidery can be seen and gemstones have been stitched on.
It would appear that shoes made for special occasion which were highly
embellished could also possibly be worn by ladies of high status who also
had the ability and the funds to do so.
Sandals
There
are limited existant samples of medieval sandals but it is certain that
they would have been worn during the warmer times of the year just as
we do today.
Shown at right is an example from the 15th century from a London excavation
made from leather. The sandal has a bronze buckle and a strap between
the toes and over the forefoot- the design which persists today.
Slippers
Slippers were worn the same as we wear them today- as a light indoor shoe.
The pinson was a 14th to 16th century light, indoor shoe which
was often furred.
The
detail at the left is taken from the 1485 Memling painting of Bathsheba.
It shows a naked woman getting out of her bath and stepping into some
household slippers which would not look out of place in any modern household
today although it it not possible to ascertain the material of the slippers
themselves.
In the household accounts of King Edward III, there is listed a gift of
clothing to a lady of Brittany, which included eighteen pairs of leather
gloves and eighteen pairs of slippers. Since the gloves and slippers are
listed together, it is tempting to surmise that th eslippers were also
made of leather, but this is not specified.
Wooden
Pattens
The
image detail at right, The Aldolphini Wedding painted by Jan Van
Eyck in 1434, shows a pair of wooden overshoes called pattens. They were
worn over the top of regular shoes or footed hose to protect them from
the elements and muddy streets. The pattens shown here are typical of
those described during the middle ages, some having a hinged heel part,
to assist with greater mobility. The lowers were usually made of wood
or cork and the upper strap of leather.
Margherita Datini the wife of a wealthy Italian merchant, in her 1339
household accounts, lists among her footwear, wooden pattens with leather
laces.
Copyright
© Rosalie Gilbert
All text & photographs within this site are the property of Rosalie
Gilbert unless stated.
Artifact images remain the property of the owner.
Images and text may not be copied and used without permission.
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