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Deaths,
Funeral Rites & Rituals
MEMORIAL
BRASSES - VIGILS & MASSES
- THE BLACK DEATH - BURIAL
PROCEDURES - WIDOWS
The afterlife and the soul of the deceased
was a very serious business to those who lived and died in the Middle
Ages and great consideration was given into preparation for the soul's
eternal life. The final preparation of the body for burial was seen as
just as important as the life of the person who lived it.
While death came to all, its repercussions varied depending on the social
stature of the deceased. When an unfree tenant passed away, a 'heriot'
or fine was paid to his Lord; usually his best beast. It was written in
the Cuxham Court Roll that '..even if he has only a single animal,
the Lord shall have it.' The parish church claimed the second-best
beast as a mortuary fine. If a family was of modest standing, it was quite
possible to lose all the beasts it possessed, especially if illness claimed
more than one family member within a short space of time.
Memorial
Brasses
Memorial brasses were a popular way for the wealthy to be remembered after
death, originating perhaps from the desire for memorials more durable
than the usual stone and marble slabs. Brass plates also offered the ability
to record greater detail in clothing and accessories than stone or marble.
The earliest existing dated examples of memorial brasses are from the
thirteenth century. The 'brass', an alloy of copper, zinc, lead and tin
was beaten into thick plates of various sizes and was principally manufactured
at Cologne and exported. England was the largest consumer of brass for
use in brass memorials.
Pictured at right, a memorial brass of Elizabeth
de Northwood dated at 1335. She is engraved modestly wearing a wimple
over her plaited hair which is resting on an elaborate pillow.
Persons commemorated with brasses were usually engraved on the plates
life sized by deeply incised lines. Shading and minute detail was not
usually attempted. In some cases black and red enamels were used to enhance
the brass, while others brasses were further adorned with Limoges enamels
which could be many varied colours. Brasses were at their greatest artistic
excellency in the 14th century, slowly deteriorating in the following
centuries. The most popular pose for women was the hands pressed palms
together in devotional prayer. Often a couple were shown together and
sometimes a beloved pet was included at the feet.
Vigils
and Masses
Much expense was spent by the upper classes on candles, masses and donations
to the church. Funerals were not only to mark the passing of a loved one,
but for the nobility or very wealthy townsfolk, it was another opportunity
for a showy display of wealth, status and power. An elaborate funeral
pall was often donated to the church to be made into vestments or altar
cloths afterwards and great sums of money or lands donated to the church
ensured prayers were said for the soul of the departed.
Common
people sat vigil with the deceased, often singing, playing games and dicing.
In an effort to curtail these kinds of vigils which, in 1284, were felt
by the Ludlow church to be not particularly solemn, the guilds forbade
games and the attendance of women who were not direct family members.
Guilds provided for their own members even at the time of death with donations
of masses, tapers and burial costs, extending this to members of the guild
who lived outside of the town. It was standard practice that the deceased
would be afforded the same courtesies as if he had died in his home parish.
Image shown at right is the Dance of Death by Talin, a popular
theme of the mortality of man and the inability of even the upper classes
and kings to escape Death's clutches.
The
Black Death
The bubonic plague, known now as the Black Death, swept through Europe
decimating populations from 1347 to 1350 and again in 1399. It was widely
believed by rich and poor alike to be a punishment from God for the wickedness
of the people who lived indulgent lives at that time. In actual fact,
it is commonly thought today that the plague was carried by flea-infested
rats. To the unlearned and educated alike, the plague struck entire families
down, randomly sparing a person here and there. An estimated 25 million
Europeans died.
Appointments to the church were hastened to fill the urgent need for spiritual
ministering as the church also suffered losses among its numbers. As the
numbers of deaths grew and grew, mass graves were dug outside town walls
and last rites were not performed since there was no-one left alive or
willing to administer them.
Burial
Procedures
The body of the deceased was washed with water and then wound in a white
winding sheet or shroud in preparation for burial.
Illustrated at left is a scene from the illumination The Murthly Hours
of 1310 showing a scene from a burial with the deceased already wrapped
in his winding sheet and being lowered into what appears to be a casket
of some kind while prayers are being read from a book. Both women and
men are in attendance.
The illumination at right shows another image from the same page of The
Murthly Hours manuscript of the funeral procession. The
procession is led by a person with a bell followed by monks, then men,
the deceased and finally by women. The funeral pall is covering the deceased.
Funeral palls were often made of very costly material which was afterwards
donated to the church in return for masses for the departeds soul.
Rosemary, rosmarinus officinalis, symbolic of memory and fidelity,
was used in wreaths for funerals.
Widows
The life of a widow often offered more opportunities
than the life of a married woman. In many cases, she was permitted to
continue her husband's business if she was previously trained in the trade.
She was then permitted to employ up to two apprentices and oversee their
training herself and confer guild status on her next husband provided
he worked at the same craft. Listed in the records of The Company of Soapmakers
of Bristol are entries such as:
'The Wiiddowe Dies took to prentice
Michaell pope the Son Richarde pope of Bristeltowe for the terme of
VII yeares begininge the III of October 1593'
and also among the records...
'We reserved into the fellowship of
Sopmaken and changleng Richard Lemwell for that he sarved his Apprentisshipe
with Alice Lemwell wedow to sopemaken and changlyng'
A widow who was wealthy and of sufficient
social standing naturally attracted the attention of noblemen hoping to
utilise her assets to improve his own position. Widows of sufficient means
or with a large inheritance or with strategic land holdings might be put
under the king's 'protection'. The Register of Rich Widows and Orphaned
Heirs and Heiresses of 1185 shows that many were married 'in the
king's gift'. Essentially, the king was within his right to grant
the widow in marriage to whomsoever he pleased. It was possible for a
widow to avert a match she wished to avoid by buying her way out of such
an agreement, however it was not uncommon that the price to do so was
extremely high and would cost the widow the means to support herself afterwards,
thus making it impossible for a woman to free herself. In many cases,
it left her with little choice but to comply, unless she took 'the
mantle and the ring' and became a vowess dedicating her life to the
service of God and promising to remain chaste.
Copyright
© Rosalie Gilbert
All text & photographs within this site are the property of Rosalie
Gilbert unless stated.
Artifact images remain the property of the owner.
Images and text may not be copied and used without permission.
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